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    Blog Series: Lighting Education

    Atypical Fixture Parameter Effects!

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    CHAUVET Professional is back at it again with another installment of the popular Lighting Insights video newsletter — this month’s edition talks about non-pan and tilt parameters like zoom optics, frost, iris, and gobo wheels, and how to make awesome effects without moving the beams around!

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    THE WEEKLY RIG from CHAUVET Professional and Trusst – THE GREAT WALL!

    It’s the fifth installment of THE WEEKLY RIG from CHAUVET Professional and Trusst!  This week’s installment is affectionately called THE GREAT WALL — check it out!

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    The Great Wall, built from TRUSST Trussing, gives a solid structure on stage for you to use in any configuration you can invent — the edges of The Great Wall design features built-in out-rigging support in the form of truss legs that keeps the design upright and weight-balanced.  Make sure that if you modify this design at all that you plan in these pieces on the edges to support the structure!

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    THE GREAT WALL utilizes several different models of TRUSST trussing, including 6-way corner blocks (strong and dependable!) 3m straight sections2.5m straight sections1m straight sections, and 24″ base plates.  THE GREAT WALL is a tall-standing backdrop for your tour, band, event, or for anything else to which you can add light and truss!

    This week’s installment of THE WEEKLY RIG features the powerful and fast LEGEND 330 SR Spot from CHAUVET Professional — a moving head spot that is just as much of a feature-packed tool as it is a photon cannon.  Also included on the FOH Truss are the venerable Q-Wash 419Z LED fixtures, used in THE GREAT WALL design for front light color washes, and the excellent 3200K LED fresnel in the Ovation line, the Ovation F-165WW, as low backlight blasts.  Truss toning of THE GREAT WALL is done by the COLORado 1 Tri-7 Tour, one of CHAUVET Professional’s hot LED PARs that blasts color down the chords of the truss effectively and intensely.

    Spread the word, The Weekly Rig #5 is OUT!

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    TECH TALK: Moving Light Magic!

    Another Mike Graham Tech Talk — on moving lights!

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    Many of today’s moving heads have some pretty amazing capabilities that are not always listed in the feature sets on the spec sheets.  In order to find your lights inner magic, it is important to spend some quality time with them.

    CHAUVET is launching a new line of moving heads called ROGUE.  In this line, we are offering two spots and two beams.  I would like to tell you all a little about each one and what they can all do, and none of these things are on the features list in the spec.

    The ROGUE R1 Spot is a 140W LED powered work horse.  This fixture is designed with the small to mid- size production or installation in mind.  Because of a killer optical system, this fixture excels in gobo morphing, iris pulse, and other weird optical effects.  So, give this a shot….  Pick two gobos, one static, and one rotating.  Drop them in to the optical path.  Get a hard focus on one of the gobos. Save that as a cue.  Now move the focus to the other gobo.  Make that a hard focus.  Make the cross fade time between these two cues about 10 seconds.  Now play back the cue a few times.  Watch the image shift from one gobo to the other.  Check out how the images change between the two.  There are so many different looks that are available for you in that 10 second change that you can pull from for a show.  Now go back and add in some slow rotation into the rotating gobo.  Run that same cue again with the rotation.  You will now see something completely different.  Keep in mind that you have several gobo combinations to check out, and we haven’t even looked at split colors or the prism yet.  By adding in the colors and the gobos, you have hundreds of different looks that can be achieved by these mixes.  Now, let’s check out the iris.  By using the iris on its own, yep, you can shrink down the beam angle.  When combined with the prism, you can create some really cool beam effects.  Using the built in iris macros, you can create iris pulse effects with rotation from the prism.  Again, try the dots gobo and some slow color changes and now you have some really cool looks that will amp up your show.

    The ROGUE R2 Spot has a 240W light engine that will blow your doors off.  Designed to work with the mid to larger sized production or installation, this light has all of the features of the R1 Spot, but also has a second color wheel and frost flag.  This means that not only can you create all of the effects that the R1 Spot can produce, the R2 Spot can also create stunning color combinations that are designed to produce great effects.  While the frost effect is designed primarily to give you a wash effect, it can be much more.  If you put the frost in with the prism, it will give you a wide wash effect.  By adding in prism rotation, and changing the focus, you will start to see edges appear in the beam path.  These edges can be further accented by adding in gobos and creating textures.  These different textures are great for adding a bit of movement in your wash beam path.  This is great for giving your show something a bit out of the ordinary.

    The ROGUE R1 Beam is powered by the OSRAM 132 Sirius Reflector lamp.  Utilizing a unique optical path, this fixture is equipped with a color wheel, gobo wheel, and two prisms that are designed to overlap each other.  Because of its small size, the head of this light has whiplash fast movement to go along with its stunning output and effects.  Because of its unique ability to overlap the prisms, you can get some effects that are normally reserved for lighting fixtures that are many times the R1 Beam’s cost.  When you get this fixture in your hands, the first thing you are going to want to do is to fill up the room with haze.  Once that is done, check out the gobo patterns on their own.  There are some very cool beam reducer gobos, and there are also some neat patterns that stand up on their own as well.  Now that you have had the chance to check out the patterns and aerial effects without the prisms, lets do the same thing with the first prism in.  With the first prism being a 5 facet effect, you will notice that the focus is hard on the outer edges or in the middle.  You can’t focus the entire beam at once.  This is because the prism is bending the light out at an angle and the focal length of the center of the prism and the outer edges are different.  This is actually to your advantage.  By having the ability to focus on one side or the other, this gives you some very cool textures in the air.   I really like the beam reducers in combination with the 5 facet prism.  Adding in a slow rotation to this and maybe even some gobo shake gives designers the ability to create some really interesting effects.  You might even want to add in a slow focus chase to play with the focal length of the prism.  Now check out the 8 facet prism.  Roll through the gobos again.  With this prism wheel, I like the break up effects in haze.  This gives me some great beam effects.  By adding in some split colors, I can get even more effects.  Now lastly, let’s try using both prisms at once.  For this, I would suggest using the beam reducers to start so that you can get used to the effect.  Try rotating the prisms in opposite directions.  This will give you a very interesting effect that is pretty unique to this fixture.  Try moving the focus in and out to do a kind of prism morphing effect.  By the time you are done playing with all of these effects, I am sure that you will be impressed.

    The ROGUE R2 Beam is the powerhouse of the series.  Lamped with the OSRAM 230 Sirius Reflector light source, this fixture has unmatched output for its class.  Because of this output, it can smash right through the brightest of video effects to make big visual impacts on your show.  This fixture offers brilliant colors, specially selected gobos, 8 facet prism with zoom, frost, and focus.  Again, check out all of the gobos on their own.  Since this fixture has the output to light a stadium show, we wanted to include not only the beam reducer gobos, but some interesting break up gobos that would create some huge looks as well.  Now drop in the prism and let’s go to work.  As you start to check out the prism and gobo combinations, run the zoom in and out as well as the focus. You will start to see some very unusual textures that can be used as show stopping effects.  Now let’s try the frost.  With the frost effect, you can get a very nicely diffused beam of light that can double as a narrow wash effect.  Try putting in the prism with one of the beam reducers.  Now add in the prism in a slow rotation, the 3200K color correction, and the middle beam reducer with gobo shake.  This effect reminds me of the old time movie look.  If you work the gobos a little more, it can give you a halogen flicker effect that is really cool.  This is something to play with.  Try different gobos, different gobo bounce speeds, and colors to create some really interesting textures with the frost.  I am sure that you will be inspired.

    Since moving lights have been around for years and video effects seem to be taking the industry by storm, it is more and more important that we try to make our moving lights preform tricks that will make the audience take notice.  We need to be more creative than ever.  Bigger and more pronounced looks are the name of the game.  In order to make that happen, we need the power of output.  ROGUE will give you that power and more.  We added in the feature sets, now you need to throw in your imagination.

    USITT 2014 in Fort Worth with CHAUVET Professional was AWESOME!

    Happy Tuesday, lighting industry!

    Testing the Ovation F-165WW LED fresnel -- the USITT audience LOVED this fixture!

    Testing the Ovation F-165WW LED fresnel — the USITT audience LOVED this fixture!

    We’re just getting back from USITT and the West Coast for our Burbank office (more on that to come soon!) and we wanted to share some excellent photos of this year’s CHAUVET Professional booth at USITT 2014 in Fort Worth, Texas!  We can’t thank you all enough for the excellent visits and friendly faces coming by our booth, we loved talking lighting and industry education with you!

    Check out some fun from the show floor, Photo Gallery style!  Click on any thumbnail, and the gallery starts up for your convenience.

    CHAUVET Professional Talks TRUSS TONERS!

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    Sometimes trussing should do more than keep quiet and hold up the lighting rig.  If you’re looking for new ways to make truss part of your designs, check out the info-packed April 2014 Lighting Insights video from CHAUVET Professional’s own Jim Hutchison!

    The Weekly Rig from CHAUVET Professional and Trusst – EL DIABLO!

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    The Weekly Rig is here!  This week, the fourth week in the series, we call EL DIABLO — a rig of Trusst and CHAUVET Professional fixtures that gives your production a new look to bring big, bold, in your face design to wherever you play!

    EL DIABLO uses several pieces of Trusst trussing, from the 3m Arc sections to the 1m straight sticks and a few bits in between.  The structure itself leads itself to being able to position a drummer, percussionist, or other specialist right directly under the main rig, which supports itself via its unique legging structure.

    Full parts and equipment list for EL DIABLO:

    TRUSST Trussing:

    2 x 3m Arc section, CT290-430CIR-90
    2 x 1.5m straight section, CT290-415S
    2 x 3m straight section, CT290-430S
    10 x 1m straight section, CT290-410S
    8 x 6-Way Corner Block, CT290-6WAYC

    CHAUVET Professional Fixtures:

    4 x Legend 330 SR Spot
    4 x Legend 230 SR Beam
    8 x Rogue R2 Spot
    7 x COLORado Batten 72 Tour

    Ready?  Check it out!

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    Take this image to your dealer to get this week’s Weekly Rig into your hands!weekly-rig-4-chauvet-trusst-detail

    The Weekly Rig from CHAUVET Professional and TRUSST – Soul Mirrors!

    It’s time for the third installment of CHAUVET Professional and Trusst‘s weekly series, The Weekly Rig!

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    This week we feature a larger design that includes a scenic element of mirror-finished conical discs hanging behind the act, which in this application is an EDM-style design.  With TRUSST arcs compiled into circle lighting positions, this design is created to make the best use out of music in the electronic style!

    Keep in mind that it’s always a good idea to sandbag the rear ends of any structure that has a front-heavy load.  This helps ballast the pieces and add additional safety to standing pieces on stage.

    This week’s design, which we’re calling Soul Mirrors, features Trusst 1.5m and 3m arcs, 1m, 2.5m, and 3m straight sections, and Trusst 6-way corners to make the connections where needed.  On the CHAUVET Professional fixture front, Soul Mirrors features Legend 330 SR Spots, Legend 230SR Beam fixtures, Legend 412Z wash heads, the venerable COLORado Batten 144 Tour, and the bright and punchy COLORado 4 IP units.

    Check it out, and please share with your fellow lighting communities!

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    THE WEEKLY RIG from CHAUVET Professional – The Three Towers!

    It’s that time again — time for THE WEEKLY RIG from CHAUVET Professional and TRUSST!

    This week’s rig is a very vertical design featuring three 4m towers loaded to bear with a mix of narrow shooting COLORado 4 IP wash fixtures, LEGEND 412 washes, LEGEND 230 SR Beam fixtures, and COLORdash Par Quad 7 truss toners!

    On the TRUSST side of business, we’re looking at 3m sticks, 1m sticks, half-meter sticks, and 6-way corner blocks — all of which create the makings of a fun and exciting design!

    Check it out — this week’s WEEKLY RIG, The Three Towers!  Click on each image for a full-size version that you can take to your rep and make this rig!

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    Check back next week for another episode of The Weekly Rig from CHAUVET Professional and TRUSST!