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    Tech Talk: ‘Hey, That’s My Wrench in Your Bag!’

    Mike Graham, comfortable in the spotlight.

    Written by Mike Graham, product manager for CHAUVET Professional

    I can’t tell you how many times I’ve said that over the past 20 years. Too many times to count, that’s for sure. However, there are some simple and easy ways to make sure that the tools and gear you showed up with at the job or show site actually go home with you.

    Nothing is more frustrating than seeing that shiny new Crescent wrench you just laid out $10 for in someone else’s tool bag. OK, there are more frustrating things, but you get the point. But, how could I have stopped it? Read on and follow my tips, all gathered from experience:

    I. How to protect your own tools. 

    • Much like a wolf, mark your territory. Copying the wolf exactly may not be a good idea, as your tool bag will start to smell. It’s the same concept though: mark your tools with something distinctive. You can engrave them with your name, or put a ring of colored tape on them, or spray paint them in some color (like hot pink) that you know is your mark. This will slow the other wolves from long-term borrowing your precious matt knife.

    Take out of the bag only the tools you use. Since on the show and job site, there are some tools that should never leave your box, and some that are in your hands all of the time, it is important to keep the ones in your box away from the eyes of others and only taken out when needed. This would include any tool that requires a battery for operation. Typically, those are much more expensive to replace. As for the stuff that goes in your pockets, like a C-wrench, #2 Philips head, snips, and a matt knife, you have to know where they are. Keep them in your pocket and make sure that they are clearly marked as yours. I picked up a ratcheting C-wrench about a year ago. For me, it’s great. I finally got used to working with it at LDI 2012. Someone who shall rename nameless decided to grab it from where I was working to “try it out” on the last show. Since it is marked with a particular string with a particular knot, it was easy for me to spot out and ask for my wrench back. Years ago, my best friend went out and picked up a PowerPuff Girls lunch bag that he used for his tools. I must have laughed at him for months, but he could have put a hundred dollars in that bag and no one would have touched it. Moral of the story, be the wolf.

    II. Tips on handling equipment from rental houses. 

    Years ago, when I was tending bar, all of the bartenders on the avenue would get together once a month to share war stories and exchange glassware. We did this because throughout the month, without fail, we would have everyone else’s shot glasses but our own. That works fine for a group of friendly bartenders, not so hot for very competitive rental houses.

    If you are in a position where you are going to have to use multiple vendors to cover your show needs (commonly known as re-renting) you know that you had better get them their gear back to the last truss bolt. Sometimes that can be tricky, especially if you are using multiple vendors for the same gear, which is always a nightmare scenario during load out. Most times, rental companies label their gear clearly with a sticker that has their name on it. They may also use a distinctive color code. For example, Christie Lites uses purple 3-pin DMX cable and green 5-pin data cable. Now, more and more companies are also including bar codes to make inventory faster. They know that if the barcode does not work, it’s not their gear. If for some reason, company A and company B have decided not to mark their gear, then it is up to you to do so to avoid the nastygram that will follow their gear count at the shop. This is where you get to find out how much they paid for an item three years ago when it was brand new as you are having to buy them a new one. There are ways to keep this from happening:

    Use multicolored electrical tape. The easiest way is to use multicolored electrical tape. (you should always have at least two other colors besides black electrical tape in your box). Use one color for company A and another for company B.

    • The other way is to try to segregate gear in specific locations, which is fine if you are working alone, but is not at all an option when working with others. When you re-box their stuff, make sure that the gear list matches; especially on the items that had to be re-rented. This will save you a major headache at the end. If for any reason your rental company did not send a complete packing list with the exact count of cables, call them and demand one. Without that, you are going to be in deep wolf stuff when you are trying to get the right gear back to the right location at the end.

    Our team needed lots of tools to build this booth at LDI 2012…

    At the end of the day, producing a show is expensive for everyone. On a given show, there are expenses for flights, hotels, trucking, labor, repairs, gear rentals and incidentals. You can’t charge the client for the wrench we lost or the gear that is missing at the end of the show. You have to eat those costs. Those costs directly impact your bottom line for the show and can kill the profit margins. It might not seem like much at the time, but even a good matt knife is still $10. Putting company A’s gear back in company B’s box can be even more costly.

    COLORado 1 IP Shines on the ‘Eye of the Sun’

    Six CHAUVET Professional COLORado 1 IP wash fixtures light an outdoor city project in Indio, Calif. Provided and installed by ShowPro of Los Angeles, the lights drench in color the white metal structure named “Oculus Sol” (“Eye of the Sun”). The 22-foot-tall piece has trusses that resemble palm fronds and is large enough for people to walk and gather underneath.

     

    CHAUVET Professional Infallible on Miss Venezuela Pageant

    The stage for Miss Venezuela Pageant got even spicier with the addition of 18 CHAUVET Professional fixtures, used as principal backlighting and downlighting by Lighting Designer Roberto Penso. Trying to find suitable lights to work around the low-height ceiling at Hotel Intercontinental in Caracas, Penso tested CHAUVET Professional Q-Wash 560Z-LED fixtures—provided by VLPS of Venezuela—and decided they were perfect for the show. “The colors and the brightness are spectacular,” Penso said. “They change colors very fast, have great saturation, and perform in sync all the time. The Q-Wash 560Z-LED moving yokes were the only lights in the show that didn’t fail.”

    Bold Nexus 4×4 Spotted on “The Voice”

    Arrays of Nexus 4×4 fixtures from CHAUVET Professional took center stage on “The Voice,” accompanying contestant Cody Belew. Capable of delivering at once the sizzle of a pixel mapping display and a robust light output,  Nexus 4×4 has 16 20-watt RGB COB LEDs and is controllable via Art-Net, Kling-Net and DMX protocols. Watch it in action:

    Chauvet Brings Hot Lighting at WaterFire Event

    Chauvet fixtures lit the WaterFire public art installation in Kansas City, an event that combined water, light and music.  In its sixth year, WaterFire featured a fire sculpture of 55 floating braziers on Brush Creek, which set the stage for live performances of jazz and blues, opera and chamber music, ballet and acrobatic dancers. Chauvet dealer S.E.C.T. provided the sound and lighting systems for the six performing arts stages that included: the main stage, three smaller stages and a gondola venue that ran along Brush Creek. Ten CHAUVET Professional COLORado Batten 72 Tour linear wash lights and five CHAUVET DJ SlimPAR Pro Tri fixtures lit the stages, while two  CHAUVET DJ SlimPAR Pro RGBA wash lights and one CHAUVET DJ Freedom Par wireless wash fixture lit the gondola. More than 35,000 spectators attended the event. Here are some cool shots:


    One-on-One with Stéphane Gressier

    Stéphane Gressier is the international sales director at Chauvet and has been a member of the team for almost two years. Read on and get to know a little bit about him.

    1. Where are you from?
    This is a question I always struggle to respond quickly to. Here is a synopsis: I was born in France, but my first home was Vietnam for 7 years, France for 2 years, Jordan for 2 years, France for 3 years, Venezuela for 7 years, Brazil for 2 years and now the United States where I have established roots between Los Angeles and Miami with my wife and children for the past 21 years.

    2. Why Chauvet?
    I got to know Chauvet because I purchased a Scorpion Storm FX laser from Guitar Center a few years back.  Having been an amateur DJ in my college days, I always kept an interest in sound and lighting trends by doing some gigs here and there.  All this changed when I was given the opportunity to interview with Albert Chauvet in late 2010 and got a glimpse of what Chauvet was about. From then on, I felt I was hit by lighting and the story is still unfolding. I have to say this about Chauvet — the incredible talent our people bring together, along with the drive to succeed, fosters a working environment that feels like a family. We all watch out for one another with the ultimate goal of delivering the best product and support that money can buy to our beloved customers and end users.

    3. Where did you work prior to joining the Chauvet team?
    I am the former general manager of the U.S. business unit of a Spanish flooring and roofing manufacturer with factories in Spain, the United States and Central and South America.

    4. Favorite food?
    Vietnamese cuisine — hands down. However, I enjoy the foods of all the countries I have had the opportunity to visit.

    5. Favorite type of music?
    Any music that generates all types of emotions, whether it’s salsa or merengue when I have a hitch in the hips, movie soundtracks or any modern dancing music.

    6. Favorite thing to do outside of work?
    Spend time with my family, photography and motorcycling.

    7. What is one thing about you that people would be surprised to learn?
    People are always surprised to learn that I am Eurasian because it physically does not show. However, if they were to meet any of my late grandmothers, they would say, “WOW!”

    8. A show without lights is like…
    A show without lights is like hearing without seeing.

    Royal Shakespeare Company Lit by CHAUVET Professional

    Royal Shakespeare Company, located in Stratford-Upon-Avon, U.K., refurbished its auditorium of the Royal Shakespeare Theatre. Upon doing so, it incorporated 18 CHAUVET Professional COLORdash Accent wash lights, supplied by Stage Electrics.

    “Lighting Designer Rick Fisher incorporated [the fixtures] into his design for “Merchant of Venice”, [and] RSC Lighting purchased and fitted them during the production period,” said Simon Bayliss, assistant head of lighting, Royal Shakespeare Company.

    LD Profile: Alex Ares

    Six questions with Alex Ares, lighting designer for the TV show “Duets” on ABC channel, for the Country Music Awards, and programmer of our own CHAUVET Professional booth at InfoComm 2012 in Las Vegas.

    1. How did you get into this field?
    I got into the lighting industry about 14 years ago. I used to work in the Air Force as a graphic designer but I still needed a job so they hired me to do things around the stage at Golden Nugget in Las Vegas. One day they fired the lighting designer and they gave me 24 hours to figure it out — which I did.

    2. What do you think is the next big thing in the lighting industry?
    I think next big thing will have to do with LEDs. Soon they will be as bright as VL3500 Spot or Shogun. Also, we will probably see networking systems with Ethernet cables, using RDM.

    3. Do you have a favorite fixture (and why)?
    My favorite right now is Shogun. Legend 412 from CHAUVET is my second favorite one.

    4. What has been your favorite design/project?
    It was a band project for Stone Temple Pilots in South America. The music and the people were great, and the best part was I didn’t know what I was going myself into, but it all worked out in the end.

    5. What was the biggest unforeseen obstacle that you’ve faced in one of your designs, and how did you overcome it?
    The biggest challenge always is the time. You want to do more and usually there isn’t enough time. This teaches you how to accomplish a project and make the most out of your ideas, while trying not to overthink everything.

    6. Complete this thought: A show without light is like…
    … blah …

    LD Interview: Take 5 with Zach Matusow

    Lighting Designer for Foster the People Zach Matusow talks one-on-one with our own John Dunn, business development manager for the west coast of the U.S. We previously shared some behind-the-scenes photos of the in-progress interview and facility tour. While Matusow was at Chauvet HQ, our CHAUVET Professional product development team demonstrated select fixtures like Nexus 4×4, Legend 230SR Beam and more. The Foster tour featured 40 CHAUVET Professional fixtures, most notably CHAUVET Professional COLORado Batten 144 Tour. Read the full story here.