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    Steve Lieberman’s YUMA TENT Design, with NEXUS, at COACHELLA!

    Steve Lieberman, EDM’s lighting rockstar, has created another amazing experience for the Coachella crowd using NEXUS Aw 7×7 from CHAUVET Professional!  Check it out!

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    INDIO, CA – With 163 acts serving up an array of great music from rap to pop to EDM to classic rock and a plethora of other styles, Coachella has aptly been described as a “forest of festivals.” Dedicated techno house heads and dance music fans had no trouble finding their way through this musical forest at the 2015 version of the festival. They headed straight for the Yuma Tent, where house bumping heavyweights chugged away for hours on end in an eye-popping DJ Booth set off by a swarm of pixel mapped Nexus Aw 7×7 LED panels from CHAUVET Professional.

    Lighting designer Steve Lieberman of SJ Lighting arranged 47 of the Nexus Aw 7×7 panels in front of the DJ booth to create a video surface that lent a club look to the performance area. The LD also deployed over 100 other high output fixtures throughout the tent, positioning moving beams in the upper sections of the ceiling and strobes along its rim. He also placed six giant mirror balls across the spine of the tent ceiling and a disco shark designed by Kevin McHugh in the center. The end result was a tent interior that had all of the mind searing energy of a Las Vegas nightclub.

    “We gave the tent the look and feel of a club, which made it a unique spot in the festival,” said Lieberman, who has designed many of the most famous and critically acclaimed nightclubs in the world. This made sense, since the Yuma Tent has been a paradise for club fans since it was introduced to Coachella in 2013.

    For much of the time during the festival, Lieberman ran his own lighting rig at the Yuma Tent with a grandMA Series 2 console. “I love this music and I love being involved on a hands-on level in lighting it,” he said. “I enjoyed working with the Nexus Aw 7×7 because of its output and super sharp beams. It also allowed me to get the kind of incandescent glowing look that contributes to a club atmosphere, but at the same time it’s an LED fixture with all the good stuff that entails. Plus it’s very versatile when you pixel map it.”

    This versatility was very much on display at the Yuma Tent. Lieberman used the panels to display breakout video patterns at key points during the different performances, in addition to having panels work as lighting effects and as marquee tickers to display text. “Versatility is key in an event like this, because you have so many artists taking their performances in so many different directions,” said Lieberman.

    Indeed, the renowned LD navigated his lighting rig through some astounding musical twists and turns at Coachella as a full array of club music artistry was on display inside the Yuma Tent, including old-school three-hour back-to-back sets from icons Danny Tenaglia and Carl Craig, who dropped an unforgettable remix of Fleetwood Mac’s Dreams. On the other side of the spectrum was the hard mechanical experimental house chugging of the UK’s Jon Hopkins. Through it all Lieberman’s rig kept pace, providing the crowd with a complete club experience in the middle of Coachella.

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    For more information on SJ Lighting visit www.sjlighting.net

    Worship VIDEO! PVP X6IP in WorshipTechDecisions

    Very cool!  Check out CHAUVET Professional’s PVP X6IP video panels in this month’s WorshipTechDecisions Magazine!

    From the article:

    With its high-res 6.9mm pixel pitch and ultra-bright 4,500-NITS illuminance, the PVP X6IP will render images and graphics of any type with impressive clarity, brilliance and definition of detail.  The panel utilizes tri-color (red, green, blue) SMD 2623 LEDs with a black body to produce the highest in class contrast levels for video that “jumps out” even in broad daylight. Designed to be both video and audience friendly, it features a 3,120 HZ refresh rate and wide 130° viewing angle, making it ideal for use on-camera, while providing clear visibility from a broad expanse of “live” vantage points.

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    Make sure to check out the PVP X6IP product page as well, learn more about this excellent product!

    Lighting Designer Rachel Miller Makes Lucid Candy

    Lighting Designer Rachel Jaime Miller from Kinetic Lighting in Culver City, CA made some awesome lumen magic with the COLORado 1-Quad Tour and her own mad skills! Check it out!

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    CULVER CITY, CA – Alternative artist Børns didn’t just perform for fans who turned out for Lucid Candy, a pre-concert event celebrating his Candy EP, he took them on a dream-like journey reminiscent of Alice’s fantastical walk through the Looking Glass. From the moment fans entered the event’s Playa Studios venue, they were swept up in a swirl of images, sensation and colors that sent their imaginations whirling in new directions. Lighting designer Rachel Miller used a collection of fixtures from CHAUVET Professional to add to the evocative power of the event, which was created by 72U and Mophonics Music & Sound.

    The magic Miller worked with lights was evident in the event’s mesmeric tunnel entrance, which visitors walked into after being presented with intriguing pill vials filled with M&M candy. With dry ice produced fog rising from the ground and flowing fabric covering the walls and ceiling, the tunnel gave visitors the feeling of walking into a dream. This effect was accentuated by Miller’s use of COLORado 1-Quad Tour RGBW LED wash fixtures to backlight the fabric.

    “We were able to achieve the artist’s vision of sunlight coming through the tunnel by lighting the sheets from behind with the COLORado 1-Quad Tours,” said Miller. “I added medium flood par lenses to the fronts of the fixtures to achieve a wider spread. We mixed the colors manually to get the precise shades the artist wanted.”

    Miller praised the color rendering capabilities of the COLORado 1-Quad Tour, which has color temperature presets from 3200 to 10000K and offers manual as well as DMX color mixing. “I use these fixtures as often as possible, because of their color,” she said. “In this case, the saturated hues and manual color mixing gave us the exact colors we wanted. Plus, since they’re LED fixtures, their low wattage made it easy to use a single circuit for all units.”

    After walking through the dreamy tunnel, visitors passed through a succession of rooms with images of clouds, psychedelic abstracts and a female astronaut, before entering a main room where Børns performed a number of songs from the Candy EP as well as some covers, like a steamy rendition of Elton John’s “Benny and The Jets.” Large white projection mapped cubes dominated the visuals for the band’s performance. Then during the DJ/iPod playback part of the event Miller used the Wash FX from CHAUVET DJ, a punchy wash light with 6 zones of control.

    “”We set the Wash FX to audio activated to stay within budget,” said Miller. “However, the room had a very rich exciting look. The Chauvet FXs were extremely helpful in giving me a full room wash with movement and color changes that match the mood of the music and the crowd. The client wanted to create an extraordinary experience, so the bar was set very high for this event and the lighting certainly didn’t disappoint.”

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    For more information on Kinetic Lighting visit: www.kineticlighting.com

    Chauvet Celebrates 25 Years, Looking Forward!

    We’re so happy to be experiencing our 25th year of serving the Lighting Industries — and we are honored to be in PLSN Magazine with a celebration of what we’ve worked to achieve. One thing is certain, we’re always moving forward!

    Thank you for such an amazing write up, Kevin Mitchell!

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    http://www.plsn.com/current-issue/43-company-411/15775-chauvet-celebrates-25-years-by-looking-forward-not-back.html

    UNITY HALL and CHAUVET Professional in PRINT!

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    Cool! Check out an awesome story about UNITY HALL in Wakefield, UK — and how ROGUE helped to make it rock and roll yet again!

    In Production, Lighting, and Staging News (PLSN):
    http://www.plsn.com/international-news/16060-chauvet-professional-helps-bring-new-life-to-unity-works.html

    In LEDs MAGAZINE:
    http://www.ledsmagazine.com/ugc/2015/04/07/chauvet-led-fixtures-help-bring-new-life-to-unity-hall.html

    In LIVE DESIGN MAGAZINE:
    http://livedesignonline.com/briefing-room/chauvet-professional-helps-bring-new-life-unity-works

    CHAUVET Opens A Belgium Facility!

    Happy Monday, World of Lighting!  In case you haven’t heard, we’ve opened a new facility in Ghent, Belgium to serve the Belgium, Netherlands, and Luxembourg areas, as well as anywhere else that wants us!  Check it out below!

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    Lighting supplier Chauvet has this week officially opened a full-service subsidiary in Ghent, Belgium. The company, which has its main headquarters in the USA, has expanded the newly-opened facility from the Chauvet branch in the UK, looking to further its reach on the European mainland.

    The new operation will act as the Chauvet distributor for the Benelux area, serving dealers of CHAUVET Professional and CHAUVET DJ brands in Belgium, the Netherlands and Luxembourg. The facility will also support Chauvet distributors and strategic partners elsewhere in Europe.

    “Given the success of our operations in the UK, it made sense to expand to an inland facility so we can better serve customers not only in the Benelux area but also throughout the continent,” said Chauvet President Albert Chauvet. “With high profile products like our CHAUVET Professional Nexus and ÉPIX being seen worldwide, and the widespread following of CHAUVET DJ in multiple countries, we’ve established globally recognised brands. This facility will help bring these brands to more markets, even more rapidly.”

    In addition to serving as a sales, service and distribution centre, the Belgium facility houses a showroom in which the company can hold product demos and training sessions. The new subsidiary is Chauvet’s fifth global office, joining existing facilities in the US and Mexico, as well as its UK operation.

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    “We are eager to see our new Belgium subsidiary build on the success that we have enjoyed elsewhere,” said Michael Brooksbank, General Manager of Chauvet Europe. “Having been involved with the Chauvet UK operation since its inception in 2010, it’s been very gratifying to see how the European market has responded so positively to our formula of offering quality-driven value products and supporting them with a passion for service.”

    The opening of the new facility in Belgium will make Chauvet products more accessible to mobile DJs across Europe, while also supporting Chauvet’s UK operation.

    This Week’s TOP TEN POSTS!!!

    It’s been a busy week here at CHAUVET Professional, we’ve got so much to tell you about!  First things first though, let’s take a look at what you all liked to read this week — the TOP TEN POSTS for this last week, starting at the tenth spot, and counting down to NUMBER ONE!

    Counting down…  #10:
    The George Washington Party Goes CHAUVET Professional!

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    #9 post of this week:
    Legend 230SR Beam Tours in South Africa with Chris Brown

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    #8 post:
    Q1 2015’s Top Ten Posts!

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    #7:
    Cole Swindell Goes CHAUVET Professional

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    #6:
    Avett Brothers Tour with CHAUVET Professional’s LEGEND 330SR Spot!

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    #5:
    ProLight+Sound 2015 with CHAUVET Professional!

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    #4 post of this week:
    RECAP:  ULTRA MUSIC FESTIVAL 2015 with CHAUVET Professional!!

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    #3:
    Steve Lieberman Uses EPIX and NEXUS for XS Las Vegas

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    #2:
    Stephen Ellison – Understanding LED Lighting for Theatre

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    and this week’s #1:
    Meet the POCKET-SIZED LED ERS:  MIN-E-10WW from CHAUVET Professional!

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    We can’t wait to tell you about NEXT week’s news!

    Cole Swindell Goes CHAUVET Professional!

    NASHVILLE –  Like many fans, lighting designer Justin Kitchenman of FadeUp Design Group and the team at Elite Multimedia were impressed with rising country music artist Cole Swindell when he opened for superstar Luke Bryan last year. They were in a good position to appreciate this emerging talent, since Kitchenman was the LD on the tour and Elite provided its lighting and video package. So when Swindell announced his current Ain’t Worth The Whisky tour, they were eager to put together a lighting package, which is precisely what they wound up doing in colorful fashion with some help from 44 ÉPIX Strip 2.0 units from CHAUVET Professional.

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    “We’ve had a great relationship with Justin and production manager James “Mo” Butts, who works with Luke Bryan and Cole Swindell,” said David Venus of Elite Multimedia. “Justin has used the ÉPIX strips in various rigs over the past few years.  He has found them to be a versatile, impactful video element that is easily deployed and extremely reliable. They worked great for him in the Luke Bryan tour, so it was pretty natural for him to include them in the Cole Swindell rig.”

    Like Bryan, the Country Music Association’s Entertainer and Male Vocalist of the Year in 2014, Swindell brings a high level of energy to his performances. Seeming to cover every inch of the stage as he jumps and struts from side to side, he captivates audiences with a heartfelt country sound that often veers into progressive territory.

    Keeping up with such a passionate performer requires an intense lightshow. Kitchenman delivered this and more with a collection of high output moving fixtures and the ÉPIX strips. Pixel mapped to display video images, the strips added a level of depth to the stage that provided a counter balance to the moving beams. The pixel mapped images were fed to the units via Kling-Net driven by a media server which was triggered by lighting cues on a grandMA2 Light. 

    “The ÉPIX strips are positioned both vertically and horizontally throughout the entire rig in pre-rig truss as a backdrop to the band,” said Venus. “They do a great job filling in space to make the design look much bigger. We ride the strips and pre-rig truss in set carts, so they don’t have to be torn down and setup every day.”

    Most of the ÉPIX strips in the “Ain’t Worth The Whiskey” tour are positioned at a slight angle. Each strip is angled in the opposite direction of the one next to it to highlight the band on stage.

    Like a good country artist, the ÉPIX strips have earned praise from Nashville’s Venus for their rock solid performance.  “Overall we can rely on the ÉPIX Strips because they are a reasonable fixture that fills a lot of space in lighting rigs,” he said.  “We constantly have them working on tour and one-off shows without a problem. They help pull a lot of designs together.”

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    For more information on Elite Multimedia visit: www.elitemultimedia.com

    For more information on FadeUp Design visit: www.fadeupdesigngroup.com

     

    ProLight+Sound 2015 with CHAUVET Professional [PHOTOS]

    We’re here at the Messe Frankfurt for the awesome and always pleasing 2015 ProLight+Sound show! We’re here with our Professional brand, talking light and spreading the good news of the lumens!

    Check out some fun photos of our CHAUVET Professional stand, #D30 in Hall 11 — come say hello!

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    Come say hello, we’re excited to see you!

    Avett Brothers and Legend 330, Winning Fans!

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    NELSONVILLE, OHIO – A lot of fans are blown away when they attend a concert by The Avett Brothers; and why not? The heartfelt hooks and harmonies of this up-and-coming Grammy-nominated band are at once comfortably plain spoken yet endlessly complex, effortlessly blending the group’s bluegrass roots with genres ranging from punk to calypso to ragtime.

    Jeremy and Keith Harold of United Sound and Electronics were also deeply moved by this North Carolina band’s show recently, not just by the music (though they liked that well enough), but also by the intense output of the Legend 330SR Spot from CHAUVET Professional, which was used in the group’s lightshow.

    “The Legend 330SRs blew us all away,” said Keith Harold, who is responsible for lighting at USE, which set up the rig for the band at the Nelsonville Music Festival. “The technical director of the festival had actually cross rented the Legends from another company because The Avett Brothers needed a CMY spot fixture.”

    After working with the Legend 330SR Spot on stage, the Harold brothers made a big decision. “When we saw how fast and powerful the Legend 330SR Spots were, we knew that we had to have them for our own inventory,” said Jeremy.  “So we sold many of the moving heads we had in our rental inventory and replaced them with these fixtures for the touring season.”

    A moving spot fixture powered by a 330-watt OSRAM Sirius lamp, the Legend 330SR Spot produces 62,200 lux at 5 meters, but Keith Harold notes that there were features beyond output that made the light well suited for The Avett Brothers concert. “The match between the Legends and the intense emotions of the music was great,” he said.  “I have to say the 330SRs with their rich colors and punchy output played the biggest role in setting the mood to the group’s music.”

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    A total of eight Legend 330SR Spots were used on trussing over the 40’ by 40’ Nelsonville Music Festival stage for performances by The Avett Brothers and their opening act The Head and the Heart.  There were four Legend 330SR Spots on upstage truss and four on downstage truss, each configuration intermingled with an equal number of wash fixtures.

    Also included in the rig were par 64 fixtures and 8-spot audience blinders.  A full-sized grandMA console was used to control the lighting rig, which was called upon to represent a range of emotions visually during The Avett Brothers lively and engaging 22-song set.

    Epitomizing the group’s categorization-defying musical style, the set began with a rollicking rendition of the Appalachian fiddle and banjo standard “Chuck Old Hen” and ended with a surprise encore cover of Harry Bellefonte’s calypso hit “Jumping in the Line.” In between were a collection of favorites from the group’s top ten Billboard albums Magpie and Dandelion and The Carpenter.

    “The rich colors, along with the powerful and punchy beams, gave some really awesome looks for a great show,” said Jeremy Harold. “Everything went very smoothly with this setup. We’re grateful to everyone involved at Nelsonville for making this go so smoothly – and for introducing us to the Legend 330SR Spot!”

    For more information on United Sound and Electronics visit www.unitedsound.net