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    Blog Series: Tech Talk

    This Week’s TOP TEN POSTS on the CHAUVET Professional Blog

    It’s Friday, lighting industry!!!  Now we all know this means either one of two things — “I have a show all weekend,” or “I have a show all weekend!

    It’s been an exciting week on the CHAUVET Professional Blog — check out the top ten most visited posts of this last seven days.  We LOVE seeing what you love to read!

    Counting down from most read post #10…

    #10:  The Weekly Rig #4 from CHAUVET Professional and Trusst — EL DIABLO!

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    #9:  Creating Content for Video Walls, Part 1, with Anthony Chiappone

    Anthonys-pick

    #8:  Got A Case of the Mondays?  How About Some Awesome Grooves?

    case-of-the-mondays

    #7:  Funny enough, the TOP TEN POSTS for January 2014 on the CHAUVET Professional Blog!

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    #6:  USITT 2014 in Fort Worth with CHAUVET Professional was AWESOME!

    DeAnna Padgett getting her smiles on!

    DeAnna Padgett getting her smiles on!

    #5:  Not ALL Shows Have MONSTER Production Budgets — Here’s BROTHERS GOW!

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    #4:  KLF (Uh Huh Uh, Uh Huh Uh Huh) — Hump Day Energy

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    #3:  Stevie Wonder Playing SUPERSTITION on Sesame Street!

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    #2:  TECH TALK:  Moving Light Magic!

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    We’re honored to post that the number one most visited link of the week is the main page link to the CHAUVET Professional Blog!  Thank you for reading us, we love to engage the community of lighting lovers across the world!!!

    Until next week, we hope your weekend is filled with laughter, love, and light!

    TECH TALK: Moving Light Magic!

    Another Mike Graham Tech Talk — on moving lights!

    MIKE-GRAHAM

    Many of today’s moving heads have some pretty amazing capabilities that are not always listed in the feature sets on the spec sheets.  In order to find your lights inner magic, it is important to spend some quality time with them.

    CHAUVET is launching a new line of moving heads called ROGUE.  In this line, we are offering two spots and two beams.  I would like to tell you all a little about each one and what they can all do, and none of these things are on the features list in the spec.

    The ROGUE R1 Spot is a 140W LED powered work horse.  This fixture is designed with the small to mid- size production or installation in mind.  Because of a killer optical system, this fixture excels in gobo morphing, iris pulse, and other weird optical effects.  So, give this a shot….  Pick two gobos, one static, and one rotating.  Drop them in to the optical path.  Get a hard focus on one of the gobos. Save that as a cue.  Now move the focus to the other gobo.  Make that a hard focus.  Make the cross fade time between these two cues about 10 seconds.  Now play back the cue a few times.  Watch the image shift from one gobo to the other.  Check out how the images change between the two.  There are so many different looks that are available for you in that 10 second change that you can pull from for a show.  Now go back and add in some slow rotation into the rotating gobo.  Run that same cue again with the rotation.  You will now see something completely different.  Keep in mind that you have several gobo combinations to check out, and we haven’t even looked at split colors or the prism yet.  By adding in the colors and the gobos, you have hundreds of different looks that can be achieved by these mixes.  Now, let’s check out the iris.  By using the iris on its own, yep, you can shrink down the beam angle.  When combined with the prism, you can create some really cool beam effects.  Using the built in iris macros, you can create iris pulse effects with rotation from the prism.  Again, try the dots gobo and some slow color changes and now you have some really cool looks that will amp up your show.

    The ROGUE R2 Spot has a 240W light engine that will blow your doors off.  Designed to work with the mid to larger sized production or installation, this light has all of the features of the R1 Spot, but also has a second color wheel and frost flag.  This means that not only can you create all of the effects that the R1 Spot can produce, the R2 Spot can also create stunning color combinations that are designed to produce great effects.  While the frost effect is designed primarily to give you a wash effect, it can be much more.  If you put the frost in with the prism, it will give you a wide wash effect.  By adding in prism rotation, and changing the focus, you will start to see edges appear in the beam path.  These edges can be further accented by adding in gobos and creating textures.  These different textures are great for adding a bit of movement in your wash beam path.  This is great for giving your show something a bit out of the ordinary.

    The ROGUE R1 Beam is powered by the OSRAM 132 Sirius Reflector lamp.  Utilizing a unique optical path, this fixture is equipped with a color wheel, gobo wheel, and two prisms that are designed to overlap each other.  Because of its small size, the head of this light has whiplash fast movement to go along with its stunning output and effects.  Because of its unique ability to overlap the prisms, you can get some effects that are normally reserved for lighting fixtures that are many times the R1 Beam’s cost.  When you get this fixture in your hands, the first thing you are going to want to do is to fill up the room with haze.  Once that is done, check out the gobo patterns on their own.  There are some very cool beam reducer gobos, and there are also some neat patterns that stand up on their own as well.  Now that you have had the chance to check out the patterns and aerial effects without the prisms, lets do the same thing with the first prism in.  With the first prism being a 5 facet effect, you will notice that the focus is hard on the outer edges or in the middle.  You can’t focus the entire beam at once.  This is because the prism is bending the light out at an angle and the focal length of the center of the prism and the outer edges are different.  This is actually to your advantage.  By having the ability to focus on one side or the other, this gives you some very cool textures in the air.   I really like the beam reducers in combination with the 5 facet prism.  Adding in a slow rotation to this and maybe even some gobo shake gives designers the ability to create some really interesting effects.  You might even want to add in a slow focus chase to play with the focal length of the prism.  Now check out the 8 facet prism.  Roll through the gobos again.  With this prism wheel, I like the break up effects in haze.  This gives me some great beam effects.  By adding in some split colors, I can get even more effects.  Now lastly, let’s try using both prisms at once.  For this, I would suggest using the beam reducers to start so that you can get used to the effect.  Try rotating the prisms in opposite directions.  This will give you a very interesting effect that is pretty unique to this fixture.  Try moving the focus in and out to do a kind of prism morphing effect.  By the time you are done playing with all of these effects, I am sure that you will be impressed.

    The ROGUE R2 Beam is the powerhouse of the series.  Lamped with the OSRAM 230 Sirius Reflector light source, this fixture has unmatched output for its class.  Because of this output, it can smash right through the brightest of video effects to make big visual impacts on your show.  This fixture offers brilliant colors, specially selected gobos, 8 facet prism with zoom, frost, and focus.  Again, check out all of the gobos on their own.  Since this fixture has the output to light a stadium show, we wanted to include not only the beam reducer gobos, but some interesting break up gobos that would create some huge looks as well.  Now drop in the prism and let’s go to work.  As you start to check out the prism and gobo combinations, run the zoom in and out as well as the focus. You will start to see some very unusual textures that can be used as show stopping effects.  Now let’s try the frost.  With the frost effect, you can get a very nicely diffused beam of light that can double as a narrow wash effect.  Try putting in the prism with one of the beam reducers.  Now add in the prism in a slow rotation, the 3200K color correction, and the middle beam reducer with gobo shake.  This effect reminds me of the old time movie look.  If you work the gobos a little more, it can give you a halogen flicker effect that is really cool.  This is something to play with.  Try different gobos, different gobo bounce speeds, and colors to create some really interesting textures with the frost.  I am sure that you will be inspired.

    Since moving lights have been around for years and video effects seem to be taking the industry by storm, it is more and more important that we try to make our moving lights preform tricks that will make the audience take notice.  We need to be more creative than ever.  Bigger and more pronounced looks are the name of the game.  In order to make that happen, we need the power of output.  ROGUE will give you that power and more.  We added in the feature sets, now you need to throw in your imagination.

    This Week’s TOP TEN POSTS on the CHAUVET Professional Blog!

    Happy Friday, everyone!  We hope that you’re having an outstanding week full of happiness and productivity!

    USITT-2014-CHAUVETPROFESSIONAL

    It’s been a great week on the CHAUVET Professional Blog — our new series, The Weekly Rig, has been very popular over the last month, check it out!  Speaking of popular, is anyone going to USITT this next week?  Come check us out in Booth 1009 at the Fort Worth Convention Center, we’d love to talk light with you!  DeAnna Padgett, Eric Mueller, and Ben Dickmann will be in attendance, come shoot the light fantastic with us!

    And now…  the TOP TEN POSTS for this week on the CHAUVET Professional Blog!

    Counting UP this week from the top post

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    1.  The front page of the CHAUVET Professional Blog!
    We are honored and humbled to have so many visitors each day!

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    2.  KLF (Uh Huh Uh Huh Uh, Uh Huh Uh Huh) — Hump Day Energy!

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    3.  Hump Day Funky: Stevie Wonder Playing “Superstition” on Sesame Street!

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    4.  ProLight+Sound 2014 with CHAUVET Professional – PHOTOS!

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    5.  TOP TEN POSTS of the week of February 14, 2014 on the CHAUVET Professional Blog!

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    6.  The Weekly Rig for March 13, 2014 – The Three Towers!

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    7.  ProLight+Sound 2014, Day One Photos with CHAUVET Professional

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    8.  Got A Case of the Mondays?  How About Some Awesome Grooves?

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    9.  TECH TALK:  Creating Video Content for Video Walls, Part 1

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    10.  The ROGUE Army – Liberating YOUR Imagination from the Tyranny of Tight Budgets!

    This Week’s TOP TEN POSTS on the CHAUVET Professional Blog!

    Happy Friday, world of light!  It’s another Friday here on the CHAUVET Professional Blog, and like a lot of you, we’ll be out there mashing the keys this weekend making the pretty lights!  What a beautiful and amazing industry we all work in, regardless of which department you represent.  Even lighting and audio people can live together in harmony!

    This week was a great week on the CHAUVET Professional Blog — here’s your TOP TEN favorites from this last week – -starting with #1 and counting up!

    The #1 post of this week:
    The Weekly Rig — A New Series from CHAUVET Professional and TRUSST!

    weekly-trusst-21

    #2 post:
    Do YOU Know How to Coil Cables…CORRECTLY?!

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    #3:  TECH TALK, March 2014 — The Art of the Strobe Light

    Devil Horns Mike_Namm

    #4:  Got A Case of the Mondays?  How About Some Awesome Grooves?

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    #5:  KLF (Uh Huh Uh, Uh Huh Uh Huh) – Hump Day Energy

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    #6:  LAST week’s TOP TEN POSTS!

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    #7:  LAST week’s TOP TEN YOUTUBE VIDEOS from CHAUVET Professional!

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    #8:  Creating Content for Video Walls, Part 1

    Product Engineer Anthony Chiappone proudly stands in front of MVP panels.

    #9:  A LEGO CONCERT KIT?!  Yes Please!

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    and the #10 post of this week:
    LD PROFILE:  Cody Stoltz

    CodyMug

    Have a great weekend, everybody!

     

    TECH TALK March 2014: The Art of the Strobe Light

    It’s time for another TECH TALK featuring Mike Graham, one of the CHAUVET Professional Product Managers.  Mike?MIKE-GRAHAM

    Chauvet Professional has recently launched two new LED strobe lights.  The STRIKE 324 and STRIKE 882 are both very powerful strobe lights with some really cool effect possibilities, and with a little planning, can fit into almost any show.

    Let me preface this article by saying that I am an epileptic.  Throughout my childhood, I got it under control with the help of medication, but it is still something that is on my mind every time that I work with strobe lights.  This is something to be conscious of when designing shows with strobe lights involved.  Mind your audience.  In all of the shows that we did when I worked on cruise ships, we always made announcements at the start of every show warning our guests of strobe and pyrotechnic effects.  This is something that I do recommend for all shows, but perhaps that is just me.

    Using strobe lights in a concert setting is a no brainer.  Strobes go great with drum solos in rock and country.  They make great blinder effects into the audience, and in electronic dance music (EDM) they are often used in that manner.

    A few really cool things that set the STRIKE series apart is the ability to control individual zones of LEDs, as well as to use some built-in zone control preset macros that will give you some crazy cool effects.  Using these effects across several fixtures will give your audience something to talk about after the show.  Because of the ring control, it is possible to use the STRIKE fixtures as more than just strobe lights.  They can be audience blinders, eye candy, and matrixed effect lights if you so choose.  The STRIKE 324 lends itself to the matrixed effect really well with its 8 rings of zone control in a par style body.  These rings can be individually programmed or be run in pre-built macros that can be run at variable speeds to create some really interesting patterns.

    Beyond the zone control features, these strobes also have the ability to be run all on at full with no duty cycle, also with no fear of burning out the LEDs.  This has been accomplished by making sure that the cooling on these fixtures was designed to be more than just strobe lights, they can also be used as area lights and work lights.  This is especially true with the STRIKE 882.  Its panel design and 882 LEDs lend themselves to area lights, audience blinders, and work lights.  If you are looking for a blinder effect like you would see in a xenon lamped strobe light, check out the 5 channel mode.  Run channels 1-3 to full.  This will give you that old school blinder effect.

    So how do use your STRIKE in other venues besides the concert stage?  A few ideas that come to mind include lightning effects on stage performances,  attention grabbers and audience lighting for corporate events, and anywhere else that you need some extra punch.  But how about you try them out and tell us how you used them.  Take videos or photos and send them to us here at CHAUVET!  We will post them on our blog site for the world to see how you are using your STRIKES.

    Strike Panel-LEFT

    STRIKE 882 — LED Panel Strobe

    Strike Par-RIGHT

    STRIKE 324 — Round form-factor LED Strobe

    2013’s TOP POSTS on the CHAUVET Professional Blog!

    Happy Monday, everyone!  We here at CHAUVET Professional hope that you had an excellent weekend, and that you’re having an excellent Monday morning!

    It’s our pleasure to report on the top ten posts of 2013 on the CHAUVET Professional Blog — we love seeing what you love to read, and we love to write for you!

    Counting down from post #10 of 2013…

    Post #10 of 2013:
    TECH TALK, Special LDI 2013 Edition — NEW TOYS!

    CHAUVET-Professional-LDI2013-Stephane-3

    Post #9 of 2013:
    CHAUVET Professional Lights Edinburgh Airport Tower

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    Post #8 of 2013:
    Miami Dolphins Cheerleaders and CHAUVET Professional!

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    Post #7 of 2013:
    A LEGO CONCERT KIT?!  Yes PLEASE!

    lego-concert-20

    Post #6 of 2013:
    KLF (Uh Huh Uh, Uh Huh Uh Huh) – Hump Day Energy

    HUMP-DAY-CAMEL

    Post #5 of 2013:
    Got A Case of the Mondays?  How About Some Awesome Grooves?

    case-of-the-mondays

    Post #4 of 2013:
    CHAUVET Professional Lights Dance Festival

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    Post #3 of 2013:
    Lighting Insights:  CHAUVET Professional’s Industry Newsletter

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    Post #2 of 2013:
    Be Careful of FALLING TRUSS!

    falling-truss

    …and the #1 post of 2013:
    CAT WEST, Lighting Director for KASKADE, Rocking the Star Wars Dress!

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    Thanks for the excellent year, everyone!  We promise to bring more blog reading in 2014, along with some contests, some SWAG giveaways, and more!  Stay tuned!!

    Top Ten Posts on the CHAUVET Professional Blog, TRADE SHOW SEASON Edition!

    Happy Wednesday evening, Lighting Industry!

    It’s been a crazy Fall trade show season, hasn’t it?  We saw so many of you this season, and we’re hoping for twice as many next season!  As is the end of every trade show season, we’re busier than a coffee pot popping the breaker on house power (even though the house is absolutely sure that the breaker isn’t tied into the production power at all) and getting back to business at hand — blogging and making the light!

    Something that was interesting to see was the posts that made the top ten during the trade show season as a whole — it’s an interesting list, check it out!  Starting with the number one read post during trade show season…

    FALL TRADE SHOW SEASON TOP TEN

    Post #1:  Cat West, Lighting Director for KASKADE, Rocks the Rig AND the STAR WARS Dress!

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    Post #2:  Be CAREFUL of FALLING TRUSS!

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    Post #3:  A LEGO CONCERT KIT?!  Yes, Please!

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    Post #4:  Got A Case of the Mondays?  How About Some Awesome Grooves?

    case-of-the-mondays

    Post #5:  Miami Dolphins Cheerleaders NFL Intro and CHAUVET Professional!

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    Post #6:  TECH TALK, Special LDI 2013 Edition — NEW TOYS!

    CHAUVET-Professional-LDI2013-Stephane-5

    Post #7:  Congratulations to Oscar Dominguez’ Emmy-Winning Design for THE VOICE!

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    Post #8:  Ovation E-190WW LED Ellipsoidal Wins the WFX 2013 Best LED Fixture Award!

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    Post #9:  Chauvet Professional’s NEXUS 4X4 Nominated for a 2013 Parnelli Award!

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    and Post #10 for Trade Show Season on the CHAUVET Professional Blog is:

    TECH TALK September 2013:  LOAD OUT!

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    TECH TALK, Special LDI 2013 Edition – NEW TOYS!

    We here at CHAUVET Professional have been working hard to bring you new toys to check out at LDI.  While some things were previewed at PLASA last month in England, we thought it would be a good idea to give you a little teaser to what you will see at our booth, #1141.

    This year at LDI, CHAUVET is bringing you some very cool new items.  Two new LEGEND lights that will blow your mind, two strobe lights called STRIKE that will be sure to hypnotize you, a new Q-Wash that has not only huge output, but an awesome zoom range as well, and a long awaited addition to the OVATION line that will make your cyc glow with your favorite colors. Oh, but wait, there is more…. We are also introducing the COLORdash HEX fixtures as well as two new additions to the NEXUS series, we are even beefing up our tried and tested COLORado series.  We are even introducing a new hazer.  Indeed, toys galore.

    Legend 412 ZOOM RIGHT

    First off, the LEGEND 412Z will be making its US debut after being a major hit at PLASA in the UK a few weeks ago.  Offering blazing fast pan and tilt speed, twelve 10 W quad color LEDs with quadrant control, and a zoom range that will make your eyes explode, this light is destined to make designers smile from ear to ear.   Applications for this light will range from eye candy effects to the most subtle wash coverage applications.  A truly versatile light.

    Legend 330SR Spot - FRONT

    Next up is the LEGEND 330SR Spot.  This fixture is making its first appearance at LDI this year.  Utilizing the Osram Sirius 330 lamp, this light is designed to have massive output appeal.  CMY color mixing that can create anything from a stunning red, to a grass green, to a deep blue, it will make even the most discerning of lighting designers happy.  Combining that with a fantastic zoom angle and two gobo wheels, a color wheel, iris, and frost, the looks that can be created are only limited by your imagination.  Very responsive pan and tilt movement will make sure that you hit the mark even when your talent can’t.

    Strike Panel-LEFT Strike Par-RIGHT

    Onward, we will be offering two new strobe lights in a whole new category for CHAUVET called STRIKE.  In the STRIKE line we have the STRIKE 324, an LED par style strobe offering eight rings of individual control as well as the STRIKE 882, an LED panel offering six zones of control. Both of these fixtures have one major thing in common, they are blazingly bright.  If you don’t believe me, stop by the booth and I will be happy to show you.  I strongly suggest sunglasses. Q Wash 419Z LEFT

    Although this light has been shipping for a few weeks, the Q-Wash 419Z is making its first appearance at LDI after hitting the stage at PLASA.  The Q-Wash 419Z offers nineteen 15 W LEDs with segment control and zoom.  Designed with the stage and studio world in mind, not only is this fixture quiet, but also offers 16 bit dimming of both the master dimmer, as well each individual color.  Overall, this light is a great addition to the already very successful Q-Series of products.

    Ovation-E190WW-RIGHT Ovation F-95WW-RIGHT NEW Ovation F-165-RIGHT

    We launched OVATION at LDI last year and have had a stunning year of success with it so far.  The OVATION E-190WW LED ellipsoidal won the New Product Award for Technology at WFX this year against some very stiff competition and the F-165WW as well as the F-95WW have also been successful in their own rights.  At INFOCOMM this year, we premiered the OVATION C-640FC. This five colored LED cyc light leaves the competition in the dust.  Offering two independently adjustable heads and a virtual color wheel (VCW) that includes many of your favorite gel colors pre-calibrated based on a 3200K degree light source, this fixture is sure to please.  Compact in size and huge on output, this fixture will make the LED skeptics heads turn.

    COLORdash Batten Hex 8 - RIGHT COLORdash Par Hex 12-FRONT

    Bringing in even more innovation, we have the COLORdash Hex fixtures.  Starting off, the COLORdash Par Hex 12 – not only is it bright, but offers something different from other LED par fixtures on the market.  Red, green, blue, white, amber, and, wait for it….UV!  Trust me when I tell you, having UV light in combination with any one color will give you mind blowing results, (you have to see red and UV combined, it is breath taking) but seeing multi-color combinations will leave you speechless.  Combine all of this with 16 bit dimming control and fan free operation and you have a hit on your hands.  Complementing the par. We are also launching the COLORdash Batten Hex 8.  The batten offers all of the coolness that we packed into the par, but in a linear format.  And what would a batten be without individual pixel control?  How about if we added in 16 bit dimming into individual pixel control?  Wonder no more, because you can see it in person at our booth.

    Nexus 4x1-FRONT Nexus 2x2 LEFT

    Last year at LDI, we introduced the 2013 Parnelli Award nominated NEXUS 4×4 and tipped the industry on its ear.  Since then, we have launched the NEXUS 4×1 and NEXUS 2×2.  This year, we intend to outdo ourselves by introducing two more NEXUS products, the NEXUS AQ 5×5 and the NEXUS AW 7×7.  The NEXUS AQ 5×5 is a matrix of 25 quad color RGBW LEDs that are controllable with DMX, ArtNet, and KlingNet.  The NEXUS AW 7×7 is a matrix of 49 warm white LEDS, that again, are controllable by the same triple threat as the rest of the NEXUS series.  Both of these new products also feature load rated coffin locks for vertical linking, and very cool horizontal linking system for easy pixel alignment.

    COLORado 2 Quad ZOOM TOUR-LEFT

    The COLORado series is gaining two new members of the family.  The COLORado 2 Quad Zoom Tour and COLORado 2 Quad Zoom VW Tour.  The COLORado 2 Quad Zoom Tour offers fourteen 15 W quad color RGBW LEDs and a huge zoom range as well as an even field of light distribution, the COLORado 2 Quad Zoom VW Tour offers fourteen 15W Variable White LEDS that can be tuned from 2,700 K to 10,000 K and offers the same zoom and light distribution as the RGBW version.  Both fixtures also offer 16 bit dimming and the signature COLORado tough body that this series is known for.

    Amhaze 2 FRONT-FLAT

    But you need a way to see all of these effects in the air.  Not to worry, CHAUVET proudly presents the AmHaze II.  The AmHaze II gives you all of the haze output that would expect in a professional hazer, and will also work with a wide variety of haze fluids.  Compact in size, the AmHaze II can fit into small spaces or be suspended utilizing it’s built in M13 threaded insert (perfect fit for our CLP 15 clamp).  We will be using a few of these hazers in our booth at the show, While you are checking out all of the collective stunningness of the light show, take a moment to appreciate the atmospherics as well.

    So, stop by the booth and at the very least say hi.  I will be easy to spot.  I will be the one wearing the grey CHAUVET shirt with a big smile on my face.  Jim Hutchison from JimOnLight.com has also come on board with CHAUVET Professional; he’s leading our Social Media, Blogging, and Customer Outreach.  He and his very bald head will be at the LDI booth, so come by, chat us up, and snap a picture!

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    I also want to also say thank you to all of you out there who have supported CHAUVET and CHAUVET Professional over the years.  Without all of your feedback and comments, we could not have been able to create all of these new and amazing products, nor would we be where we are today.  As I enter my sixth year at CHAUVET, I thank you all for your continued support.

    This Week’s TOP TEN POSTS on the CHAUVET Professional Blog!

    Happy Wednesday, lighting lovers!

    It’s been a busy week of getting ready for the big 2013 LDI Show in Las Vegas — we’ll be in Booth #1141 with CHAUVET Professional, and we’re excited to show off our new wares and a fun light show!  Are you coming to LDI this year?  Drop us a comment, say hi!

    This week’s most excellent traffic from you, the readership, on the CHAUVET Professional Blog!  Starting out as always with the number one most visited post…

    #1:  SWAG TUESDAY at Chauvet Professional!

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    #2:  Miami Dolphins Cheerleaders NFL Intro and Chauvet Professional!

    miami-dolphins-cheerleaders-nexus-4x4

    #3:  Chauvet’s Mexico Opening Photos!

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    #4:  Got A Case of the Mondays? How About Some Awesome Grooves?

    case-of-the-mondays

    #5:  Did You See The Lachine Electric Fireball?!

    Pouring Rain Noir by Simon Berger

    #6:  Cat West, Lighting Director for KASKADE, Rocks the Rig AND the STAR WARS Dress!

    cat-west-kaskade-nexus4x4

    #7:  Chauvet Professional’s NEXUS 4X4 Nominated for a 2013 Parnelli Award!

    chauvet-professional-nexus-parnelli

    #8:  Tech Talk: Creating Content for Video Walls — Part I

    Product Engineer Anthony Chiappone proudly stands in front of MVP panels.

    #9:  LD Profile: Rachel Miller

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    #10:  A Metric Ton of Console Tutorials!

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    Thanks for reading, everybody!!  Stay tuned for more lighting awesomeness!

    TECH TALK October 2013: Sensory Under-Load

    Chauvet Professional’s own Mike Graham is back for another issue of TECH TALK!  This time, Mike brings us insights on the pitfalls of convenience with respect to lighting design and programming.  Mike?

    MIKE-GRAHAM

    SENSORY UNDER-LOAD

    Without the ability to make our senses work together, designing a show is impossible.  In today’s fast paced “Information Now” world, it is really easy to let our senses get dulled by superficial glitz provided by the dreaded interwebs.  I think that it is important to unplug and rethink the approach that we take in show design.

    In my second semester of college, I took a (please, do not hold this against me) sound designers class.  I wanted to try to have a better understanding of what sound design actually was, and it was a required class as part of my curriculum. In that class, our instructor would give us each a cassette tape with a song on it.  Our job was to learn how to pick out individual sounds from those recordings.  Essentially, to stop listening to the song, and start listening to the sound of the instruments, the hiss on the tape, and any other noises that were present.  This exercise went on for the entire semester.  Every week it was a different tape with a different song.  By the end of the class, the goal was to be able to pick out the smallest details of sounds.  Goal achieved.

    The obvious question is how does this apply to lighting design in today’s world?  The truth is that we as a species is becoming much less detail oriented because of the instant gratification of being able to Google an answer to any question.  The fact that we can use software like WISYWIG or Vectorworks to design shows, then use a control platform like the Hog 4 or GrandMa 2 to program and execute the same show is a great thing, but be careful of the pitfalls of convenience.  I am by no means putting down these state of the art technologies, but what I am saying is that they are tools in the same way a good Crescent wrench (spanner for my UK friends) is a tool. Don’t let these tools decide the show for you.   While I do realize that time is a commodity that we are typically very short on, slow down and listen to the show that you are designing.  Just because you can pixel map every LED on your stage, does not mean you have to run pixel effects for every single cue.  Take a deeper look and see if you can program a slight nuance into a look that will spark the imagination of your audience.  Design is not all about hitting your viewers with a sledge hammer.  Sometimes it is about the slow and subtle cue change that takes two  minutes or more to complete.  You don’t need to use the effects generators to create every look.  Take some time and add in some personality to what you are trying to accomplish.

    As a test to yourself, try this; Sit outside and close your eyes. Take a deep breath and listen.  Pick out every noise from the birds singing, the breeze blowing, cars in the background, to a dog walking by. Now feel the sunlight on your face and imagine what that scene should all look like.  With some practice, your mind will once again become the best visualizer you have ever used.  By accessing your imagination and linking it to your senses of sound, sight, touch, taste, and smell, you will become a better designer.

    Its, funny, but I was just reading Justin Lang’s Blog (http://www.prolightingspace.com/profiles/blog/list?user=3hylm036yw15r)  and came across the below:

    smell-the-color-9

    While it is totally true, we can’t ever totally understand everyone’s vision, you can absolutely control yours.  By having a better understanding of how your senses work, you will start to associate your senses to colors, effects, and light cues.  It will make designing shows much easier and much faster.